Tag Archives: Noir Definition

“Noir On the Reservation” Scalped: Indian Country

Noir Comics Scalped Indian Country Dog

Bob Dylan enjoys Scalped: Indian Country as well.

Scalped: Indian Country is the very first trade paper back of the Scalped series. I picked it up because a good friend of mine recommended it while we were on a road-trip to Emerald City Comic Con in Seattle, Washington (If you want pics of that trip, check out my Facebook account). Knowing my penchant for noir, his exact words were: “Its like The Sopranos on an Indian Reservation.” Simply stated, I was extremely pleased with the story, and I rank it with my very favorite noir comics. I feel that the easiest way to break down this review would be to hold Scalped: Indian Country up to the noir definition that we have already created.

1. The Seedy Underworld

The Prairie Rose Indian Reservation is the setting for this noir comic. Litter-strewn highways, trailer park junkyards, feral dogs, and a brand new shining casino provide the backdrop for the characters. One of the very best depictions of a villainous underworld I have ever seen. If you can read this and not be wracked with “white-man’s guilt” then you are either don’t have a heart or you aren’t white. The art is so filthy in this noir that you will feel filthy touching it.

Noir Comics Scalped Dashiell Bad Horse

Dashiell Bad-Horse, uhh....pardon the profanity in the image....

2. The Anti-Hero

Dashiell Bad-Horse is about as hardened as they come. He grew up on the Prairie Rose when he was young, and he left (or escaped) as soon as he could drive. He joined the army, fought in Iraq, came back and joined the FBI, then found himself in prison. He is more crooked and brutal than any detective novel anti-hero I have ever read. And he uses nunchucks. Totally a tragic bad a** anti-hero, but you can’t help but root for him.

“…SCALPED is Jason’s distinctly American Western-slash-crime story about the people who had this country first. Starring Dashiell Bad Horse, the rare film noir protagonist who’s actually as cool as his name, this is the riveting tale of one mean cop with a big damn secret.”  -Brian K. Vaughan

3. The Femme Fatale

Dashiell’s ex-girlfriend Carol is the femme fatale of this noir comic. She is also the biggest slut on the reservation (in addition to being Chief Red-Crow’s daughter). You may have already guessed some of the problems this relation would cause. Well, Dashiell comes home to the Prairie Rose, working secretly for the bureau on a deal that got him out of prison, and it doesn’t take long for Carol to become the manipulative seductress that any great noir needs.

Noir Comics Femme Fatale Carol Red Crow

Carol Red-Crow is sluttily draped all-over that jukebox

4. Misogyny

Jason Aaron is the author of this noir comic, and he has got the misogyny down to a science. There are only two female main characters in the story, Gina Bad-Horse (Dash’s mom) and Carol Red-Crow the slutty femme fatale (the rest are strippers, old women, and prostitutes). SPOILER* And one of them is scalped by the end of the first trade paperback *SPOILER . One of the greatest scenes characterizing this misogyny is towards the end of the trade when Carol provokes Dash into angry, sleezy, aggressive sex. It seems that in this story a woman’s only value is her ability to wield sex as a weapon (and with all the sleeping around Carol does, she has definitely honed hers).

5. Redemption

Possibly the greatest theme in this entire noir comic is that of redemption. Redemption not only of Dashiell Bad-Horse but of each individual living on the Prairie Rose Indian Reservation, and redemption of the men that put them there. Can men redeem the wrongs caused by the misdeeds of their forefathers? Can Dash be redeemed for walking out on his family and Indian heritage? Can Chief Red-Crow redeem his people through taking money from the white-man? Each of these questions and more are asked by this excellent author/artist team. Also, if you recall the noir definition, “illusions of order” and “intellectual control” rear their heads in this tale as well. These themes are most prominent as Dash uncovers his mother’s past bit by bit. The revelations are astounding as they unfold, and easily entice  me into the next trade paperback.

Jason Aaron & R.M. Guera have made me an instant fan of Scalped, the most compelling noir comics series to hit us in quite some time. (I purchased my copy at ECCC ’11. )

Noir Comics Scalped Indian Country

Me enjoying an excellent noir comic


Filed under Noir Comics

“To be, or Noir to be…” A Noir Definition

I believe that there is great value to a list of qualifications I expect in any noir piece. Anything that I review on this site will have to match at least one of the requirements below. Please remember noir can be found in any media, be it art, literature, film, video-games, or comics, it’s there.

1. The Seedy Underworld

Noir Definition Seedy Underworld

"sheesh this fog is so crimey..."

The setting of any great noir piece is the filthy underbelly of the polished public. This place is filthy, grimy, bleak, and often deranged. Expect steaming sewer grates, torrential downpours, second-hand-smoke, and nefarious characters. Crime thrives here, and its perveyors are brutally corrupt and extremely adept. Sadly, these roads are lined with condemned buildings labeled ‘hope,’ ‘faith,’ and ‘charity.’

2. The Anti-Hero

Noir Definition Anti-Hero

yeah....smoke that

The main character of the noir genre is at best despicable. We are fascinated with his/her moral ambiguity and glaring flaws while hiding our disgust with the same. Dangling from this character’s lips is the tell-tale cigarette and the greasy tendril of smoke tickles the street lamp above. Usually this character’s life is at stake, and this is almost always due to their own poor choices. We quietly root for him/her and cringe when the baseball bat or crowbar beats their brow bloody.

3. The Femme Fatale

Noir Definition Femme Fatale

"man, this blows."

A secret ingredient that adds spice and variety to any noir is the femme fatale. She is sultry, sexy, and manipulative. Her power over the main character is unmistakable and she gently leads him along to meet her own ends. Elegance of speech and brutal double crossings as common as lipstick stains on wine glasses and discarded lingerie. She is deadly, untrustworthy, and 9 times out of 10 the villain.

Each of these three items are hallmarks of the noir genre. I will use these criteria as pegs to hang my reviews on, and as indicators of proximity to the noirWHALE (the ‘big-one’ so to speak). As the media I encounter exhibits these traits, I will detail their strengths and weaknesses on this site. I am sure that there are other hallmarks of noir out there, and as I discover them I will add to the list.

UPDATE: April 7, 2011

4. Misogyny

Noir Definition Misogyny

"turn your breasts to the light dear."

Throughout the genre of noir, there seems to be a fairly steady stream of misogyny. I’m not suggesting that this “dame-hating” is always aware of itself or that it’s a conscious decision by the noir creators, but it rears itself very consistently in each piece. Women are the villains, the burdens, and the childish fools that merely tolerated by the hero. Also the women are always “male-defined.” Their behaviors, attitudes, and appearance are constantly pandering to a male audience. I assume that this must be incredibly frustrating for female audiences (it frustrates me and I’m a male). As a result of these male definitions, noir seems to always focus on beautiful women with low sexual standards and no depth of character (other than where it serves plot). Recently I’ve read that there are some female authors who have reversed the roles in modern noir novels. I hope to read some of them soon  so I can report back my findings.

5. Redemption

Noir Definition Redemption

This may be an actual crime scene...

Another theme that has presented itself in my studies is that of redemption. In noir, the detective always arrives after the tragedy has taken place. He is plunged into a world of chaos, where something whole was just shattered (murder, rape, violence, etc.). His job is completely consumed with trying to redeem the unredeemable. Think Batman. Bruce Wayne is haunted by the murder of his parents. He decides to seek vengeance for the rest of his life by “righting” all the wrongs in Gotham. The only catch is that his task is impossible. He cannot change the fact that his parents are dead, nor can he completely succeed in purifying Gotham. He can’ t win. The only measure of success he achieves is through putting as many pieces back together as he can. In this way we (the audience) are lead to believe that something has actually been redeemed. We feel better about the injustice when we know how or why it happened, even though it still occurred. Dean DeFino calls this “illusions of order” and “intellectual control.” He says that “the story redeems that sense of order and control by (fictionally) exposing its logic, its cause-and-effect chain, how one thing leads to another.”

UPDATE: June 21st, 2011 

I have always wanted to create a very robust noir definition for noir in all of its forms. Thus far I have previously set forth 5 unique elements that are found in any noir media. They are: The seedy underworld, the ant-hero, the femme fatale, misogyny, and redemption. Recently I have thought of two more that must be added: Loss of Innocence, and Eroticism.

6. Loss of Innocence

Noir Definition Loss of Innocence

giving us the reasons why

This aspect of noir is the one that hits us in the gut. It wrenches our emotions and makes us uncomfortable. Torture, rape, sin, and abuse all fall under this thematic umbrella. Usually, the loss of innocence within any noir piece holds the responsibility of answering the question “why?”, as in: “why is this character this way?” or “why do they do what they do?” This is closely related with the Redemption aspect of noir because usually the loss of innocence is what causes the need for redeeming.


Noir Definition Eroticism

eroticism in the 80's

One thematic element of noir that has caused the most controversy in the genre is that of eroticism or sexuality. These tend to not be the main stream accepted types of sexual behavior, instead they are the outré and bizarre fetishes that make us cringe. Prostitution, adultery, sadomasochism, and other unmentionables are the mainstay of noir. Most often, lust plays a huge roll in any noir crime fiction as well as lack of self control. Those characters that can control their sexual desires are those that are the most successful, while those who succumb are the victims of their own self destruction. This is closely related with the theme of Misogyny in our noir definition, especially as it pertains to the portayal of the femme fatale.

Well, I hope that we can continue to add to our noir definition in the future! Please email me if you think of any aspect that needs to be addressed! Chad.deLisle[at]gmail.com

Noir Definition UPDATE: August 26th, 2011

8. Racism

Noir Definition Blaxploitation

Black Caesar

One aspect of the noir genre that has recently leapt out at me is the heavy-handed theme of racism. Condescending language, disparaging remarks, and sexual abuse are all hallmarks of Racism. This racism may be a byproduct of the era in which the noir genre was birthed, but it certainly thrives in the contemporary time period as well. Understand that the racism in film noir, noir crime fiction, and noir comics is not only directed at Blacks; others feel the sting as well. I believe this theme rests entirely upon power, control, and illusions of power. The white male desires to remain in control, so he inflicts emasculating and denigrating roles upon white females, blacks, and any other race or people he considers inferior. In this way power threatening groups are robbed of their ability to affront the acceptable order established by he and his cohorts. What do the white females, blacks, and other races do in response? They mimic the abuse inflicted upon them by white males and perpetrate heinous crimes against one another. And thus the only way they can obtain power is by accepting roles and behaviors that are white male defined.

UPDATE: February 16 2012

This last week it was brought to my attention that there was a problem with my noir definition. A frequent visitor to NoirWhale.com pointed out that I had misappropriated the term “blaxploitation.” After some research and review I concurred with his analysis. Blaxploitation actually refers to a process of stereotypical media that was meant to appeal to black, not offend them.  I had been using it as a term synonomous with racism, and while it has a racist element, they aren’t the same thing.

Thus I append the noir definition; instead of removing the element altogether, I’m renaming it “racism” because that is what I truly meant in the first place. It should be noted that blaxploitation can be found touching several areas of the noir genre, it’s just not as frequent a theme as racism. So moving forward, I’ll still be pointing out the generally racist nature of much of the genre, I’ll just be using the proper term for it.  Thanks Justin!

9. Smoke

Noir Definition Smoke

Dorian Leigh

Anyone who has seen an episode of Mad Men will understand why “smoke” must be added to my noir definition. Curling tendrils of cigarette smoke portend sexual encounters in seedy hotels, cruel seduction, and infidelities. Profanity and profundity crosshatch the hanging smoky-mirk in scene after scene of film noir, noir crime fiction, and noir comics. Smoke caresses the lips of the femme fatale, stings the eyes of the innocent, and tickles the throat of the stooge. It stains the teeth, fingernails, and wallpaper of the anti-hero, yet entombs him like a viking king on a floating pyre. Disgusting in real life? Yes. Amazingly enticing in noir? Yes. I know this seems obvious, but in hindsight “smoke” should have been the first quality that defines the noir genre.

As with my other noir definition updates, I’m sure there are more to come…

Noir Definition UPDATE: January 28th 2012

10. Emasculation

Noir Definition Mad Men

Roger Sterling, Peggy Olson, Don Draper, Joan Holloway, Pete Campbell (via celebrations.com)

Only recently apparent to me is the frequent theme of emasculation in the noir genre. Emasculation in noir refers to robbing a male of his “manliness” in some degree; either through humiliation or through some means of impotence. Examples: A man can’t provide for his family, he’s beaten or humiliated by some thugs, he loses his livelihood, he can’t land the femme fatale, his health fails, or he literally has his “manhood” taken away (read Sin City: That Yellow Bastard). Often the driving theme of a noir piece is the fear of emasculation, even if it hasn’t occurred yet. In Night and The City, Harry Fabian becomes more and more desperate as he becomes more and more emasculated by his failures to succeed.

If you’re still failing to grasp what I’m referring to, look at Mad Men for example; Don Draper, Pete Campbell, Roger Sterling, and others each have a certain masculine ideal which they subscribe to. For Pete it’s success in the workplace without the aid of others, for Don it’s strength and privacy, for Roger it’s health and sexual conquest, for others it’s something else. Although each man may have a slightly different definition of masculinity, ALL of them fear its loss and panic when it’s endangered. Pete’s marriage suffers when he fails at work, when Don’s secret past rears itself he attempts to flee, and as Roger’s health plummets he weeps like a child; each of them are emasculated by their greatest fears. Thus our noir definition is expanded.

Got any ideas for the noir definition? email me: chad.delisle [at] gmail.com


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“Noir you see it, Noir you don’t” A Brief Explanation of this Noir Blog.

When setting out on such an endeavor as this, an important groundwork must be laid. We shall begin with the definitions, and from there move swiftly to the prize. Success would be impossible without understanding the content and the context, so these quotes will help us grab at the neck of it. According to the Oxford English Dictionary:

noir, adj. and n.

Pronunciation: Brit. /nwɑː/ , U.S. /nwɑr/
Forms: lME noyre, 16 (18– ) noire, 17– noir. Also with capital initial.
Etymology: < Middle French, French noir black (c1160 in Old French, also c1100 as neir) < classical Latin niger black (see niger n.1). With sense B. 1compare French noire a woman with dark hair (c1310 in Old French). In senses A. 2 and B. 3 after film noir n. Compare also roman noir n.

1. Black, dark. Also fig.: bleak, desolate. (Freq. as postmodifier, after French use.)
2. That is in the style of a film noir; gloomy and fatalistic in character; (also) using cinematic devices such as wide angles and partial lighting; urban, morally ambiguous, anti-heroic. Cf. film noir n.

Merriam-Webster puts it this way:

1:crime fiction featuring hard-boiled cynical characters and bleak sleazy settings

This site is dedicated to hunting all things that resemble these definitions, more particularly the best the genre has to offer. Because noir has crossed the boundaries of ALL media, this site will explore each of those vistas eagerly. Ultimately, I hope that one day we may snag the “BIG-ONE,” the very epitome of excellence in the noir genre, but until then I will be searching diligently on the high seas of media. May all our harpoons be sharpened and poised for the appearance of the fabled noirWHALE, and may we have the courage necessary to lance and breach when presented the opportunity. Amen.

I leave you with the words of the french poet Henri Auguste Barbier:

“Enfin, dans un amas de choses, sombre, immense,
Un peuple noir, vivant et mourant en silence.”

(“Finally, within a huge and sombre mass of things,
A blackened people, living and dying in silence.”)

Noir Enthusiast at Work

Me in my den

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